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Alexander Scriabin
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Vous avez sélectionné:
Alexander Scriabin
Partitions à imprimer
453 partitions trouvées
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451
Alexander Scriabin: Prelude in Eb minor, Opus 16 for Flugelhorn and Piano, No. 4: Lento
Alexander Scriabin: Prelude in Eb minor, Opus 16 for Flugelhorn and Piano, No. 4: Lento
Piano,Trumpet,Flugelhorn
#
Classique
#
Alexander Scriabin
#
Giuseppe Galante
#
Alexander Scriabin: Prelude in
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Giuseppe Galante
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Giuseppe Galante. For Piano,Trumpet,Flugelhorn. Romantic Period,Post-Romantic. Intermediate. Individual ...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Giuseppe Galante. For Piano,Trumpet,Flugelhorn. Romantic Period,Post-Romantic. Intermediate. Individual Part,Score,Set of Parts. 6 pages. Published by Giuseppe Galante
$25.00 ≈
23.33€
Album Leaf
Album Leaf
#
Piano seul
#
Classique
#
Alexander Scriabin
#
Album Leaf
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music...
(+)
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Prelude, Op. 11, No. 4
Prelude, Op. 11, No. 4
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Piano seul
#
Classique
#
Alexander Scriabin
#
Prelude, Op. 11, No. 4
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Canon in A minor
Canon in A minor
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4 Guitares (Quatuor)
#
Contemporain
#
Alexander Scriabin
#
Roberto GarcÃa
#
Canon in A minor
#
apt4guitar
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Roberto García. 20th Century, Etudes and Exercises, Repertoire, Classroom, Children's Music. Score, Set ...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Roberto García. 20th Century, Etudes and Exercises, Repertoire, Classroom, Children's Music. Score, Set of Parts. 7 pages. Published by apt4guitar (S0.111599). - Score,Set of Parts - 20th Century,Etudes and Exercises,Repertoire,Classroom,Children's Music - apt4guitar
$4.50 ≈
4.20€
Prelude No.2, Op.11
Prelude No.2, Op.11
#
Piano seul
#
Classique
#
Alexander Scriabin
#
Prelude No.2, Op.11
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Three Preludes
Three Preludes
#
Guitare notes et tablatures
#
Classique
#
Alexander Scriabin
#
Artem Krikunov
#
Three Preludes
#
Artem Krikunov
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Artem Krikunov. Romantic Period. Individual Part. 6 pages. Published by Artem Krikunov (S0.50739). - Ind...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Artem Krikunov. Romantic Period. Individual Part. 6 pages. Published by Artem Krikunov (S0.50739). - Individual Part - Romantic Period - Artem Krikunov
$4.50 ≈
4.20€
Prelude for the Left Hand
Prelude for the Left Hand
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Trompette, Piano
#
INTERMÉDIAIRE
#
Classique
#
Alexander Scriabin
#
Brandon Ridenour
#
Prelude for the Left Hand
#
Brandon Ridenour
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Brandon Ridenour. For Piano, Trumpet. Romantic Period. Intermediate. Piano Reduction, Solo Part. Publish...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Brandon Ridenour. For Piano, Trumpet. Romantic Period. Intermediate. Piano Reduction, Solo Part. Published by Brandon Ridenour
$5.99 ≈
5.59€
Etude C-sharp minor, Op. 2/1
Etude C-sharp minor, Op. 2/1
#
Piano seul
#
Alexander Scriabin
#
Co
#
Etude C-sharp minor, Op. 2/1
#
Schott Music - Digital Sheet Music
#
SheetMusicPlus
(from Morceaux, Op. 2). Composed by Alexander Scriabin (1872-1915). Edited by Wilhelm Ohmen. For piano. Copyright 1987 Schott Music GmbH & Co. KG, Mainz. Pu...
(+)
(from Morceaux, Op. 2). Composed by Alexander Scriabin (1872-1915). Edited by Wilhelm Ohmen. For piano. Copyright 1987 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital Sheet Music
$4.99 ≈
4.66€
Etude, Op.2 No.1
Etude, Op.2 No.1
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Piano seul
#
Classique
#
Alexander Scriabin
#
Etude, Op.2 No.1
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Alexander Scriabin for Begginer Pianist
Alexander Scriabin for Begginer Pianist
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Piano seul
#
DÉBUTANT
#
Alexander Scriabin
#
Nicholo Dela Pena
#
Alexander Scriabin for Beggine
#
Nicholo Dela Pena
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Nicholo Dela Pena. For Piano,Piano Solo. Classical Period,Baroque Period,General Instructional. Easy/Beg...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Nicholo Dela Pena. For Piano,Piano Solo. Classical Period,Baroque Period,General Instructional. Easy/Beginner. Piano Reduction. Published by Nicholo Dela Pena
$5.00 ≈
4.67€
Prelude No.1, Op.11
Prelude No.1, Op.11
#
Piano seul
#
Classique
#
Alexander Scriabin
#
Prelude No.1, Op.11
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Prelude In D Flat Major No. 15 Op. 11
Prelude In D Flat Major No. 15 Op. 11
#
Piano seul
#
Classique
#
Alexander Scriabin
#
Prelude In D Flat Major No. 15
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. For piano. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. For piano. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Prelude No. 5, Op. 11
Prelude No. 5, Op. 11
#
Piano seul
#
Classique
#
Alexander Scriabin
#
Prelude No. 5, Op. 11
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Alexander Scriabin. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Alexander Scriabin. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
A mazurka by Alexander Scriabin
A mazurka by Alexander Scriabin
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Piano seul
#
INTERMÉDIAIRE
#
Contemporain
#
Alexander Scriabin
#
Museus
#
A mazurka by Alexander Scriabi
#
PianoSheetNow
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Century, Romantic Period, Classical Period, World, Folk. Intermediate. Publ...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Century, Romantic Period, Classical Period, World, Folk. Intermediate. Published by PianoSheetNow
$1.99 ≈
1.86€
Canon piano solo by Alexander Scriabin
Canon piano solo by Alexander Scriabin
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Piano Facile
#
FACILE
#
Classique
#
Alexander Scriabin
#
PianoSheetNow
#
Canon piano solo by Alexander
#
PianoSheetNow
#
SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. For Piano Solo. 20th Century,Romantic Period,Classical Period. Early Intermediate. Sheet ...
(+)
Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. For Piano Solo. 20th Century,Romantic Period,Classical Period. Early Intermediate. Sheet Music Single. Published by PianoSheetNow
$1.99 ≈
1.86€
Choose To Be Happy
Choose To Be Happy
#
Piano, Voix
#
Comédie Musicale
#
Michael Korie
#
Choose To Be Happy
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Michael Korie. For piano, voice, and guitar (chords only). Musical/Show. PV. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Michael Korie. For piano, voice, and guitar (chords only). Musical/Show. PV. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Alexander Scriabin: Etude in D# minor Op.8 No.12 instantly for piano solo
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Piano seul
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AVANCÉ
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Classique
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Alexander Scriabin
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Virtualsheetmusic
Instantly downloadable sheet music by Alexander Scriabin for piano solo of HIGH skill level. Contents: etude in d sharp minor, opus 8, number 12, no. 12,study, studies, etudes, exercises / classical,instructional...
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Instantly downloadable sheet music by Alexander Scriabin for piano solo of HIGH skill level. Contents: etude in d sharp minor, opus 8, number 12, no. 12,study, studies, etudes, exercises / classical,instructional
$4.75 ≈
4.43€
Alexander Scriabin: Mazurka Op.3 No.7 for piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Virtualsheetmusic
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. / classical
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. / classical
$4.75 ≈
4.43€
Alexander Scriabin: Etude in C# major Op.8 No.1 for piano solo
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Piano seul
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INTERMÉDIAIRE
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Classique
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Alexander Scriabin
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Virtualsheetmusic
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. Contents: etude in c sharp major,study, studies, etudes, exercises / classical,instructional...
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Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. Contents: etude in c sharp major,study, studies, etudes, exercises / classical,instructional
$4.75 ≈
4.43€
Mazurka by Alexander Scriabin guitar solo
Mazurka by Alexander Scriabin guitar solo
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Guitare notes et tablatures
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FACILE
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Classique
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Alexander Scriabin
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PianoSheetNow
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Mazurka by Alexander Scriabin
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PianoSheetNow
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SheetMusicPlus
Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, World. Sheet Mus...
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Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, World. Sheet Music Single, Tablature. 3 pages. Published by PianoSheetNow
$2.99 ≈
2.79€
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concer...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
18.62€
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